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New football (soccer) drama has just dropped.
Liverpool are one of the biggest teams in the world, let alone the UK or Europe. They are a global brand and if a player from a smaller country establishes themselves in the first team then you can guarantee their popularity skyrockets there. The drama concerns one of those superstars: Mohammed (Mo) Salah.
Mo Salah is known as the Egyptian King and for good reason (Sidenote: no, I do not know why he is not called the Pharaoh either.): 280 goals in 420 appearances for the club makes him the fourth highest goalscorer in Premier League history (186 of those for Liverpool, 2 for Chelsea), not to mention an ungodly number of assists. He is one of the greatest players the Premier League has seen in the modern era and a guaranteed Liverpool legend. Even people who play fantasy football know he is a must-have on your team because he will get you 200+ points a season.
Liverpool have seen a lot of changes in the last season and a half though. Legendary manager Jurgen Klopp left at the end of the 2023-24 season, to be replaced by Arne Slot. Against all odds, Liverpool would hit the ground running and win the Premier League in the 2024-25 season, which is one hell of an achievement in your first season as manager for a club and your first season in the Premier League. This summer also saw Liverpool spend a lot of money on a raft of new players, including Florian Wirtz, Alexander Isak and Milos Kerkez (who became my club's second most expensive player when they bought him); sadly, they also lost Diego Jota to a car crash that summer and the team had to grieve heavily for him at the same time. A lot of new blood had people worried if Liverpool could repeat that success from last season. A 4-2 win on the opening day of the season (Boooo!) was a good sign though, alongside five wins in six matches. They were at the top of the league and everything seemed happy. But...
Salah signed a contract extension back in April, earning him £400,000 a week but also activating the curse: contract extension but a huge dip in form. Liverpool started well but Salah was clearly off. Maybe it was the new team dynamics with the new players, maybe it was grief, but the Salah of old was not there. But he is the Egyptian King and he would return. Right?
Five wins in six was great but the wheels have quickly fallen off, both in the Premier League and the Champions League (an international tournament where the best teams in Europe play). It has got to the point where Liverpool are struggling against even the weaker teams in the Premier League. Only yesterday did they go from 2-0 up to a 3-3 draw against newly-promoted Leeds. While this is a team issue, with most players lacking form, Salah has taken the brunt of the criticism. Everyone has noticed he has not performed and calls have been coming for weeks for Slot to bench him,which he has finally done and Salah has been on the bench for the past three matches. The King is now very unhappy and had enough last night, speaking to the press about how he has no relationship with Slot and he feels he has become a scapegoat for the club's problems. All fair enough but Liverpool have looked better with Salah on the bench.
What makes this big drama is that Salah rarely speaks out like this and he is thought to be the voice of the team as a whole. If he feels this way then the rest of the old guard at Liverpool (Alisson, Van Dijk etc.) may also feel the same. So has Slot lost the dressing room already? Will the board do what they can to keep Salah or will they sell him to a team in Saudi Arabia and capitalise on his current value? All we know is it is time to get the popcorn bucket out for the January transfer window because, while Salah is away at AFCON (an international tournament for the African national teams), this has only just begun and could become the talking point of the season, because only one will survive and it is anyone's guess as to who that will be.
To give some further context outside of Salah and Slot, it must be understood that everyone expected Liverpool to explode this season in spite of the tragedy with Jota and his brother because of how ridiculous their transfer window was in the summer as mentioned above.
First thing's first, we need to understand English Premier League money is bullshit. England has deliberately attempted to make sure their domestic pyramid is commercially strong as one can expect, with its ability to target the Anglosphere and the fact it hosts some of the biggest clubs in the world turning it into a juggernaut no other league can compete with.
This alongside the growth of billionaire and state owned clubs (i.e. Man City, PSG, Newcastle) has made football a capitalistic wasteland in terms of transfers, with some arguing Neymar's move to PSG at what was at the time somewhere around $250+ million signaled that you either have to spend big or die. Simply put many leagues and clubs cannot afford to compete in the modern market.
Liverpool certainly isn't one of those clubs.
Alexander Isak is a proven striker that showed results at Newcastle and although it was arguably an hefty overpay at $170+ million, with the striker market being in such short supply at a top level some considered it a worthwhile cost. Not to mention beforehand they nabbed Hugo Ekitiké from Frankfurt at $100+ million, meaning they in theory two world-class strikers to rotate between with different profiles, even if this was an absurd amount of spending.
Milos Kerkez is a young and exciting left-back that showed his stuff at Bournemouth, with Liverpool clearly wanting to entrust that position to him for the long-term by shelling out $50+ million for him. Jeremie Frimpong is a crazy right-back who was a part of the invincible Leverkusen season that shocked the world in 2023/2024, and I'll get to why he was needed at $40+ million.
Giovanni Leoni was weird admittedly, being an eighteen-year-old center-back from Parma who did very well, but also didn't play that much and $30+ million for a wonderkid is pretty expensive. Not that he isn't talented, a ton of the big Serie A clubs wanted him for a reason, but Prem money is a drug and even as everyone takes risks on younger talent in the wake of La Masia's resurgence there wasn't a lot of hype around him.
But the crown signing had to be Florian Wirtz. Like Frimpong he was at Leverkusen when they won the Bundesliga, but he wasn't just a good player, he was their talisman. A highly technical attacking midfielder who through intellect and creativity create chances out of nowhere, he led what was derided as "Neverkusen" to an invincible season in the league, never losing once and winning the double by nabbing the DFB-Pokal. And we need to remember he was twenty at the time and is only twenty-two now, meaning he could be even greater. He came at a whopping $150+ million, but no one debated if this was worth it or not.
Yet to afford such players even Liverpool needed to offload some folks, and here's where it gets tricky.
Darwin Núñez went to Saudi Arabia, even if I hate the fact how entrenched the nation and royal family are to the sport, made sense with their new striker signings and his inconsistent form with a hefty $60+ million. Quansash left for Leverkusen, but he has a buy-back clause and went for what was a pretty scam transfer at $40+ million.
Ben Gannon-Doak felt like a fleecing given he barely played for Liverpool and despite his high potential no one's turning down $25+ million for such a fee, sending him off to Bournemouth. And while Caoimhín Kelleher is an exceptional goalkeeper, Allison Becker is still one of the best in the business and they grabbed Giorgi Mamardashvili the previous season, leaving the Irish international free to leave for Brentford at $15+ million.
Luis Díaz is an interesting case in that while many wanted him to stay, being a great forward who was a major contributor in winning the title last season, some felt him going for $80+ million was too good to pass up given he's nearing 30. His playstyle was argued by some to be one that declines rapidly due to the physical nature of his game, so while he is an excellent player shipping him off to Bayern while grabbing the luxuries from earlier seemed appropriate at the time.
And then there is Trent.
Trent Alexander-Arnold was a Liverpool legend despite his young age. One of the premier right-backs in the world, he might be a defender but everyone knows it is his intellect and passing range which makes him a monster. One of those modern full-backs, capable of cutting inside for more central passing lanes, his ability at set pieces, and being crucial in Liverpool's build-up, he was beloved not just for his talent and being English, but also the fact he was an academy product, having since childhood fought for the badge.
He then left for Real Madrid effectively on a free before last season even ended.
The sheer hate this spurred within the Liverpool fanbase is a post in its own and anyone who's into sports knows how this all goes. They technically got about $10+ million for Madrid to get him in for the Club World Cup, but one of their best players left effectively for nothing and was speaking fluent Spanish off the bat at a press conference. They had Connor Bradley to replace him and later to nabbed Frimpong from earlier for an even better starter, but it was ugly.
So what does this all mean? What does all this money spent and gained reflect?
Well as you can imagine it means in 9th place, ten points behind the current league leaders.
Isak has not hit the ground running. Frimpong seems to be struggling to replace Trent. Poor Leoni is injured. And Wirtz looks like a fish out of water, either not yet adapted to the league and its unique traits, but perhaps also just not utilized well on a tactical level. Ekitiké looks decent enough, but he's fighting with Isak for position and strikers struggle badly when the rest of the team is crumbling given they need support from behind to do anything.
Meanwhile Luis Díaz is killing it in the Bundesliga, creating one of the most terrifying forward line-ups currently with Harry Kane and Michael Olise, the two best players in Germany right now, acting as his partners up front. And while Trent has had some difficulties, recently he's gotten into the groove for Real Madrid after recovering from injury, reminding people why they wanted him in the first place.
It's just an embarrassing situation and you can feel it all crumbling for the former champions. For me there's a lot Slot has to answer for and Salah is not helping matters by reacting this way when his own form is just not it alongside the fact he's got the contract extension a bit ago, but the entire squad is struggling beyond a shadow of a doubt. Some like Dominik Szoboszlai are doing their damnedest every day and put out good performances, but a handful of individuals fighting for badge is not enough.
Will Liverpool side with coach or back their star player? I don't know, I think it's a bad move to put players over team, but God right now it is beyond toxic and it's disturbing to witness unless your a Toffee, United fan, City folk, or maybe a Gooner (Yes, that's what Arsenal fans are called).
But let's say if replacing Slot doesn't change things or Salah continues to dip in form as he ages, then the question becomes what the hell was all of that money burnt on?
This is a drama in itself. Liverpool bought Ekitike because Newcastle were not selling Isak, despite Liverpool offering over £100m at the time. Ekitike may have been second choice but Liverpool were happy with the decision. Isak threw a hissy fit and refused to play for Newcastle again. Newcastle could not get Isak to change his mind and offered him up to Liverpool again, which they accepted, however this left two premium forwards competing for one spot. They also had to compete with Salah, Gakpo and Wirtz for game time. Liverpool suddenly found themselves in a very unenviable position by having too many high-quality players and being unable to both assimilate new players, keep the old guard happy and get results fast.
Oh yeah, that definitely felt cruel to Ekitiké given he clearly came to either be starter or transition to starter in the following season. I get why Liverpool did it, but honestly one wonders if they should have looked to reinforce elsewhere. Well, he's starting now anyhow, so I guess it worked out for him.
This summer was absurd for the Premier League in terms of transfer drama though. The Isak saga, the Gyökeres and Sporting affair, De Bruyne leaving City, us at Spurs losing out Gibbs-White, us at Spurs losing out on Eze literal last minute to Arsenal...
I mostly know Mo Salah from the quorn adverts he did like ten years ago so this is how I find out he's a footballer...
Mo Salah is a footballer from Egypt. Mo Farah is a former British Olympian.
ok I'm a dumbass
I was thinking 'I knew he was an athlete but I was Certain he was a runner or something not a footballer'
But I know like Nothing about sports so figured that assumption was wrong
I was thinking of how, in the whole 15-book Oz series, the Wicked Witch of the West appears not only just in the first book, but only in one chapter of that book!
Similarly, the titular character of Dr. Strangelove only appears in two scenes of that movie, and of course Boba Fett had all of two lines in the original Star Wars trilogy but a huge chunk of Episode II was dedicated to his backstory and he got his own spinoff show.
Saul Goodman was only supposed to appear in 4 episodes of Breaking Bad, and Mike Ehrmantrout was literally an afterthought filler goon.
Who are some other "bit players" that gained an outsized importance to their initial appearance?
Cam was, apparently, meant to be killed off pretty early in Bones - which might explain why her backstory makes no sense (she's a cop, a doctor, the head coroner of her area she comes from, and just... a bunch of stuff that doesn't fit into a timeline for someone so young)
And on the subject of Oz and things that only appear briefly, the silver shoes/ruby slippers are definitely the most iconic objects in the series, but again they only appear in the first book. When Dorothy wishes to go home the shoes disappear forever, because magical items cannot exist in non-magical countries. From the third book onwards the role of powerful magical item is taken instead by the Nome King's belt.
Stargate was chronic about this. Frequently they would bring in a character to play a one or two episode antagonist only to have them go on to become series regulars or even leads.
In SG-1 David Hewlett portrayed everyone's least favourite STEM major they know, Dr. McKay, and went on to be a lead character in the spin-off series Atlantis. Scifi veteran Robert Picardo played a bureaucratic henchman antagonist with Richard Woolsey, went on to make regular reappearances, and then ended up in charge of said Atlantis expedition. Tom McBeath did a fantastic turn as Harold Maybourne, an overly ambitious and cowardly ratbag USAF colonel and on-again-off-again toxic best frenemy of SG-1 series lead Jack O'Neill, and while never did become a regular, he did have a satisfyingly insane character arc going from hardline patriot to literal traitor then going on the run and becoming crowned king of a medieval planet. And so many others. None of them, afaik, were meant to be more than one note antagonists, but either due to convenience or actor chemistry, they got brought back so often they became fixtures.
Edit: Wrote the original post at 6am on my phone tired as hell, edited to fix formatting and errors and add in Maybourne's delightfully stupid character arc.
I was truly delighted by Maybourne's arc, real throw everything at the wall and see what sticks type stuff
Woolsey was really helped out by the writing of the episode he premiered in. SG1 was usually very negative on the concept of "civilian oversight" but Woolsey gets a great arc where we (and the characters) get to discover that uncomfortable questions aren't necessarily being asked in bad faith. He even gets to win his final argument with Hammond, a character who is pretty much always depicted as being right in his assessments.
I'd go as far as saying that Woolsey should have been the lead on Atlantis to begin with. Or at least Weir's character should have been more like him.
White Glint is an iconic mecha design from Armored Core and is the mech from prior games that is most frequently referenced by Armored Core players today as one of the "coolest things ever" in the Amored Core games. it has its first appearance in Armored Core 4, where it appears in a handful of missions, being piloted by the player's erstwhile ally, Joshua O'Brian. And by handful, I mean that there are 4 missions that White Glint can appear in, and only if certain conditions are met (either the Player drops to low health, in which White Glint appears as an ally, or you're playing Hard mode, in which he appears to help your enemy).
White Glint appears in the direct sequel, Armored Core For Answer in has a more prominent role as the cover mecha for the game and its opening trailer, but it appears in even fewer missions. You only see it once per 30 mission playthrough, in either Destroy White Glint or Defend Line Ark. It's heavily implied that the pilot of White Glint is the player character from Armored Core 4, which further lends to its myth.
White Glint is salvaged and heavily modified as a shadow of its former self in Armored Core: Verdict Day as the final boss as a signifier for how iconic White Glint had been, but that's a tiny amount of actual screentime for how much reverance White Glint earns.
In addition to that, it also got referenced by spriritual successor Daemon X Machina's own cover mech, Radiant Gleam.
Definitely an outsized influence, and funnily comparable to Armored Core's other mascot mech Nineball/Hustler One, itself kind of a bit player in it's first apppearence in the first game (but still a memorably difficult boss), before becoming the main antagonist of Master of Arena.
On that note, most of the Arena Rank 1's tend to be pretty minimal to the plot, or not appear in missions very often. AC4's Berlioz only appears in one mission (accompanied by 3 other enemy ACs so he's not even a standout) while AC6's V1 Freud also only appears in one mission across all possible storylines. He does get very good characterization for his limited screentime (which Fromsoft is pretty good at - I was going to mention King Oceiros from Dark Souls 3 in this thread as he actually has a massive amount of lore even if he's almost never referenced past his single boss fight).
AC: For Answer is a notable exception, where Rank 1 Otzdarva is fairly important. Nineball doesn't appear again, but in homage to his name, Rank 9 has been reserved for special characters in recent games - Anatolia's Mercenary/White Glint in For Answer, and V.VI Rusty in AC6.
So, there's a very interesting Library of Ruina/Limbus Company example here; The Blade Lineage.
In Library of Ruina, there are two types of main gameplay encounters; Red/Story Invitations and General Invitations. The former are, as you could guess, the game's main story encounters, and the latter are story-less encounters that are the game's non-random equivalent to random encounters. And none are more well-known than the Blade Lineage and their leader, Bamboo-hatted Kim. The Blade Lineage as a whole is very interesting because they're actually referenced in the main story as a rival to one of the main story receptions, the Kurokumo Clan. And Kim's key page is notably EXTREMELY strong for when you get it (amusingly, especially with the Kurokumo Clan cards) with one of the game's most stand-out cards, Yield My Flesh, requiring you to screw up an integral game mechanic in exchange for an extremely powerful second card, To Claim Their Bones.
In general, the faction was moderately popular as a result of those two factors, and in Limbus Company they came back in SPADES. Not only were they one of the factions that got IDs at launch, but around the time of the game's first anniversay we got the Event/Intervallo/Interlude "Yield My Flesh to Claim Their Bones", which as you can probably guess by the name focuses on the Blade Lineage and Kim. (And, amusingly, the event also contains a minor example of this, with the character Jun and his mighty Rules of the Backstreets getting a playable ID version during the event's rerun)
There's a twist to this, though; It almost wasn't like this. The Blade Lineage were actually originally planned to get their own story encounter in Library, it just never made it into the final game. Heck, a few of the Limbus characters and IDs are explicitly based on concepts that showed up in the LoR art book! So their Limbus reappearance is half due to their popularity, and half so Project Moon can tell the story they never got to tell.
I say Home Alone most people say "Movie with the booby traps". However, the time when the Wet Bandits go to his back door (1:16:21) to start the booby trap segment to the Wet Bandits getting arrested (1:30:51) is less than 15 minutes!
But surely it was longer than that! What about all the time spent preparing the traps? Well the time from when Kevin gets home (1:13:45) to booby trap his house to him having put the final trap in place (1:15:05) only adds a minute and twenty seconds!
It's like how they called Star Wars a War film when they only spend the last fifteen minutes doing war! They spend the rest of it doing cowboy stuff, samurai stuff, and treks!
At no point do they visit a star! There is a war, but we barely see it. Are we expecting to believe there is a war going on and a farm boy who has never been outside his
citystate is going to go fight it just cause someone told him to? Unbelievable!The actual Bride doesn't appear onscreen in Bride of Frankenstein until the last like 5 minutes, and doesn't really do much but scream and hiss. But god damn were they cookin with that character design.
Honestly this is probably the only thing anyone ever talks about with that movie. Personally I think we should be talking more about Doctor Pretorius, who is a riot and the main antagonist.
In the novel, Frankenstein rips up the bride before finishing her.
Always wondered what scenario would result if he actually kept his promise about the bride, though undoubtedly he broke his promise because Frankenstein created enough ethical conundrums as is.
Was thinking about this when watching Frankenstein 2025. I suppose if he calmed down he would realise that he could just take out the ovaries before animating her. But Frankenstein is a stubborn ass, so it may never occur to him.
I can’t say about “4 episodes”, but showrunner Vince Gilligan said that dark and dramatic material needs “a leavening agent” so it isn’t just miserable to watch. When Jesse moved from goofy comic relief to being broken on the wheel of life, in comes a sleazy ambulance-chasing lawyer with silly tv ads, a line in patter and gaudy suits.
Mike wasn’t really “an afterthought goon” so much as “I have a guy who can do that”, but he was only created because something needed doing and Saul couldn't do it because Bob Odenkirk was busy. Still, you wouldn't expect the two of them to be at the core of another series.
Apparently, Kim Wexler wasn’t supposed to be quite so central to Better Call Saul, but Rhea Seehorn was doing a great job so they kept giving her more to do.
The highest ratio of initial screen time to later importance must be one line from Saul in Breaking Bad - “It wasn’t me, it was Ignatio!” - that becomes Ignatio “Nacho” Varga in Better Call Saul. By the second series, he’s also once of the show’s core characters.
Even Gus Fring was written upwards from an incredibly small part. He was meant to just be a guest spot character, but Giancarlo Espancito played him so well to the showrunners that they expanded his role in season 2, and Giancarlo insisted on having more episodes. When the actor for Tuco Salamanca had another commitment that prevented him from being the main antagonist for season 3, Tuco was written out and Gus Fring replaced him.
My favorite bit of Mike Ehrmentraut trivia is that the actor was in Airplane! (first seen checking the temperature on a microwave chicken).
There's an often stated claim that Anthony Hopkins in The Silence of the Lambs has an astonishing low 16 minutes of screentime in the film as Hannibal Lecter while still receiving the Oscar for Best Actor. The stat is someone misleading, as he has about 25 minutes of actual presence - much of the film's editing has him talking while Jodie Foster's face is presented.
The other shockingly low screentime snag is for Best Supporting Actress for Shakespeare in Love, which was given to Judi Dench for her role as Queen Elizabeth I, with about 5 minutes of total presence.
Similarly, Orson Welles as Cardinal Wolsey in A Man for All Seasons.
Black Canary is probably best known for the time she lead the JSA or her relationship with Green Arrow but that's not where she came from. Originally she was a sexy thief in an issue of Johnny Thunder. It took less than a year for Johnny to be removed from his own series and Black Canary to take over and go on to become a major B-list hero in the DCU (and later two B-list heroes for reasons).
In fairness to the writers Johnny was kind of impossible to write for. His power was that he had an omnipotent genie who would do whatever he asked. His weakness was that he was so stupid he couldn't survive without the constant help of an omnipotent genie. When the character was brought back in the 90s he was reworked into bed-ridden dementia patient to give the character some pathos while still reining in a ludicrous ability.
There's a lot of this in comics. Hawkeye was originally a two-bit Avengers villain. Harley Quinn was originally a one-off henchwoman for the Joker. Gwenpool was originally a variant cover design, she was never even canon.
Before reading One Piece, I assumed the character Yamato would be introduced early into the Wano arc, considering how much discussion and discourse came from the character. Turns out they are only in about half of it, and are introduced pretty squarely in the middle of the big raid the entire arc was building to with practically no buildup prior.
Hannibal Lecter is a minor character in Red Dragon (and the initial Manhunter adaptation), and even in Silence of the Lambs he's a supporting character.
Background ponies in general from My Little Pony: Friendship is Magic. For those who don't know, background ponies are just filler NPCs that don't talk and there to populate scenes when needed. A number of them became super popular among bronies (off the top of my head that includes Lyra, Bonbon, Vinyl Scratch/DJpon3, Dr Hooves/Time Turner, Derpy Hooves, and Colgate). Towards the end of the series there was a fanservice episode that allowed a lot of these background ponies to have speaking lines for the first time.
As for speaking MLP characters that had a small role that left a big impression, I'd say that goes to Trixie or Discord, though I'm not sure if their continued appearance was initially planned or not.
Trixie is a unicorn who relies on slight of hand and special effects for her magic shows because she's not very good at magic and she generally has a bit villain role, but she eventually becomes friends with Starlight Glimmer (basically an additional member of the mane 6 added later in the show).
Discord was a season finale villain who eventually gets a full redemption arc where he lives with Fluttershy. He's also voiced by John DeLancie, who played Q in Star Trek: The Next Generation, which isn't really important but is cool bevause they're quite similar character.
I'm not sure how to tell you this, but that was only about halfway through the series
I'll be real I haven't thought about MLP a whole lot since FiM ended so I'm not surprised I misremembered.
A similar, if not quite so popular, thing happened with the generally consistent background characters in Kim Possible, especially a tall, short-haired girl in a red top and cargo parts who fit the archetype of tomboyish lesbian and was dubbed "Alex Sapphic" by fans, particularly the slashfic-happy fanfic writers. This meant she had appeared in a amount of fan art and fiction, more than you'd expect for an extra.
tak from invader zim shows up in one episode but left a huge impression on fans. in comparison, her ship shows up in more episodes including the movie.
It probably helps that, if I remember correctly, Zim had a lot of unproduced material released to the public after (scripts, boards, voice tracks for unfinished episodes, etc) and Tak was originally intended to be an ongoing concern who'd keep showing up.
yup. it's still a shame that top of the line never got made but at least fans made their own episodes.
Beetlejuice, for all that his name is the title, is only in 18 minutes of the movie. That's less than a fifth.
The Web of Fear is a 1968 Doctor Who serial, where they took the popular villains from the previous year (robotic yetis), and put them in the London Underground - or, at least, a London Underground set that was so lifelike, they got calls asking if they had illegally filmed there. This leads to the Patrick Troughton Doctor Who teaming up with / having friction with the military sent down there to fix the problem, led by one Colonel Lethbridge-Stewart. He's a pretty standard military leader guy, played by the second choice for the role, Nicholas Courtney, after the first choice ditched for other work. At the end of the episode, like most every other supporting character up to this point, they are left behind as the Doctor and his companions make their excuse and run for the TARDIS.
Next year, the production team were doing a similar kind of episode - monsters invading recognisable locations always got good results - and so staged an 8-part story of the Cybermen invading modern day London. Again, the military are roped in to go up against them, and rather than casting a new head soldier, the production team decided to bring back Colonel, now Brigadier Lethbridge-Stewart, in charge of the international anti-weird-shit organisation, UNIT (United Nations Intelligence Taskforce, this lasted up till 2005, when legal threats from the real UN about branding on a website had them change it to United Intelligence Taskforce). This episode also introduced John Levene as Sgt No-First-Name-Ever-Given-On-Screen Benton, also played by a replacement actor after the first was demoted for not working out. The Invasion was also important for serving as a "test-model" for what the show could look like in future - Doctor Who at this point was coming up on six series, and ratings weren't what they once were. To keep going, the production team wanted to reduce costs by making the show purely Earth-bound, allowing characters and sets to continue across a whole series rather than being purely for one episode (amortising the costs), as well as reducing the need to re-create space-bound locations. The show would retool itself to be like popular spy serials at the time, centered around this new UNIT organisation fighting threats from the stars.
This was deemed acceptable, and so both the Brigadier and Benton were made into series regulars, alongside the newly regenerated Jon Pertwee Doctor Who. With a few companions (Caroline John's Liz Shaw for the first year, Katy Manning's Jo Grant for the 2-4th years, and Elizabeth Sladen's Sarah-Jane Smith for the final year), and two new recurring characters joining at the start of the second series (Richard Franklin's Mike Yates, and the Doctors Time Lord nemesis, the Master, played by Roger Delgado), the UNIT era was a smash with children, and the "UNIT Family", as they're often known, was the basis for a lot of fanfiction and canon-adjacent productions over the years. While the production team would start doing stories set on alien worlds as early as the 8th serial, the UNIT family, UNIT HQ, and aliens trying to conquer the home counties would remain a constant feature up to Jon Pertwee's final series. The 3rd Doctor's death sees him lost in space, the TARDIS flying by instinct, until she brings him home - the floor of UNIT HQ, watched over by the Brig and Sarah-Jane, where he dies, and is reborn as Tom Baker.
At this point, 1974, the production team is used to making space-bound stories again, with no worry of cancellation, and you can see this shift in priorities through Tom Baker's early seasons. His first episode, Robot, is in effect a Jon Pertwee UNIT-era story abour some evil society making a giant killer robot, and Tom Baker plays the whole thing as flippant and disregarding as possible. This is not your dashing action hero 3rd Doctor. UNIT Doctor Harry Sullivan comes along for a TARDIS ride, but the Brigadier is left behind, and won't re-appear until the opening story of next year, Terror of the Zygons. This would mark an end to the Brigadier's time as a regular on the show. Benton would make one more appearance later that series, in The Android Invasion, until he too was gone. And, in Doctor Who, with a show constantly churning through side-cast members and production teams, once you're gone, you rarely come back, unless they want you to cameo for an anniversary special. Well, about that...
1983 was the show's 20th birthday. They had the big anniversary celebration coming as a charity-associated special in November, with somewhere between 3 and 5 past Doctors represented, plenty of old companions showing up, and a big role for the Brigadier alongside his old friend, the Patrick Troughton Doctor Who. However, the production team had an idea for a story set around the Queen's Silver Jubilee (cause that's also an anniversary, wow). and wanted to focus it around an old companion as another way of paying homage to nostalgia and stuff. Not just as a quick cameo, but the star of the show, second to Peter Davision Doctor Who. The original idea was to get back William Russel, one of the first three companions, but when that fell through, who should it be but the Brigadier, for the first time in 8 years, now retired and teaching at a private school. They fucked up the UNIT timeline in the process, but it was all worth it. He would make one more appearance, 6 years later in the very final season of the show, 1989's Battlefield, where he is retired until a new, 90's UNIT un-retires him and he almost dies fighting a magic demon from another dimension summoned by King Arthur's eternal rival, Morgana. Intriguingly, Sylvester McCoy Doctor Who (berating what he thinks is the Brig's corpse) says he should have "died in bed". Keep that in mind.
Nicholas Courtney made appearances in a bunch of the fan-shot Wilderness Years productions of the 90's and early 2000's, as well as fan mass-hallucination "Dimensions in Time", but so did everyone who had so much as looked at Doctor Who, so that doesn't say much. What he did manage was an appearance in Doctor Who's educational spin-off for kids, "The Sarah-Jane Adventures", in its second series finale Enemy of the Bane, making him the second Classic Who character to properly return after the title character, and she's regarded as one of the best companions they ever wrote. Still retired, he helps the gang fight alien infiltrators to UNIT. All because Freema Agyeman was too busy filming Law and Order UK to come back instead.
This would be Nicholas Courtney's final on-screen appearance, as the main show didn't manage to get him in before his death in 2011, with UNIT as a more modern, militirised organisation rather than the quaint "boy's own army" of the 70's. They did pay touching homage to him in 2011's finale, The Wedding of River Song, where Matt Smith Doctor Who was facing his own certain death, and flippantly phoned up his old mate The Brig to tell him he was coming round to cause trouble. The Brigadier, it turned out, had died off-screen, in his bed at a nursing home, but had always asked for a second glass to be set out, in case this was the day the Doctor finally showed up. Wedding of River Song was controversial at the time (like a Doctor Who finale has never been controversial before or since), but this scene was and still is regarded as a highlight.
The Brig's legacy would continue the next year, with 2013's The Power of Three re-introducing UNIT for the first time since 2008, led by one Kate Stewart - the Brig's daughter, first invented for one of those 90's fan productions, who would go on to become a regularly recurring character of her own for the 2010's/2020's, to the point where she's a main character in a spin-off that airs literally today. Her and her dad met on screen - or, at least, her and her dad's corpse turned into a Cyberman as part of the Master's-now-Missy's evil plan - in 2014's Death in Heaven and the Peter Capaldi Doctor Who would finally get a chance to salute his old friend. At the end of the episode, the Brigadier-Cyberman survived the explosion of all the other Cybermen, and flew off to adventures unknown. This was, uhhhh, somewhat less well received than the above tribute. Kate Stewart has now become Kate Lethbridge-Stewart as of David Tennant 2nd Doctor Who's episodes, and I guarantee you, the spin-off will have her reference her beloved dad who everyone lover taught her how to UNIT at least once. Probably more.
Maybe they'll reference that one time he committed war crimes against a surrendering Silurian outpostThe last time we heard the Brigadier's voice was 2021's Survivor's of the Flux, detailing the creation of UNIT in the 60's (where the timeline gets even more screwed up, but who's counting at this point), in archive audio. The rank given for him is a little off, but he's still there, after 54 years. Not bad for a side character created for one episode to shoot at some robot yetis.
(I also haven't mentioned the novel series focusing on the Brig and his adventures with whatever old 60s/70's UNIT enemies they can get the rights to, and the child-focused spin-off of said novels that starring his grand-daughter (not Kate Stewart's daughter, that's different) that once did a book focusing on George Floyd's death. That's a whole mess.)
Web of Fear was a whodunit, as one of the extras is meant to be working for the BBE. Which is weird looking back as Lethbridge-Stewart is acting super shady when everyone know that he isn't going to be a baddie!
I really like the Third Doctor's stories. They're just fun, and I like how much time he spends berating people whose first instinct is to blow things up - frequently being the aforementioned Brigadier. It also makes me laugh because of, well, everything about it when people try to claim new Doctor Who is "political", when basically every Third Doctor story was in some way a political adventure, and they literally have a guy ditch UNIT to go fight climate change if I remember correctly.
Thats a vague description that could match two separate people, one of which is more heroic than the other
In The Green Death at the end of Series 10, Jo Grant leaves after getting married to eco-boyo Cliff Jones, in a story all about how increasing mechanisation and emotionless bosses pump out pollution without a care. Genuinely one of the best companion endings of all time, that shot of the 3rd Doctor leaving the wedding alone and driving off in Bessie is heartbreaking. Notably, this stuck, as Jo's re-appearances in the 21st century have kept her characterised as a protester for myriads of environmental causes, with Cliff even coming back for a couple of his own blu-ray trailer appearances against Auton plastic pollution.
In Series 11 story Invasion of the Dinosaurs, the villains are cultists who want to return the Earth to "a golden age", by using time travel tech to kill off of humanity aside from their selected few while they Return to Dinosaure, and they are helped by numerous insiders in the government. This includes above-mentioned UNIT Family member, Mike Yates, who was radicalised/traumatised by the events of "The Green Death" into nihilistic climate doomer-ism. At episodes end, hes given the chance to resign rather than face court-martial, and his actions are treated with sad sympathy. There's a good argument to be made that this marks the big crack in the cosy UNIT family setting of the last five years, and the beginning of the end.
That’s Doctor Who continuity in general.
When the Doctor Who wiki has a category for dating controversies covering three separate eras, you know that's a great sign.
Yeahhhh, believing Doctor Who really has a continuity is for schmucks. It's really more of a suggestion.
The canon explanation is that a space god with a penchant for playing games (most recently played by Neil Patrick Harris) jumbled up points in the Doctor’s personal history for shits and giggles
Two Robotech examples here. Both of these were one episode characters (who, spoiler alert for 40+ year old animation, die at the end of their respective episodes) but have had outsized influences.
Jonathan Wolfe(1) may in many ways be the Boba Fett of Robotech. His single episode appearance depicted him as a legendary war hero, albiet one who had fallen far. This led to the plan to include him in the main cast of Robotech II: The Sentinels, the failed sequel series; even then he at least appeared in the finished animation.
Beyond that he's appeared in numerous pieces of Robotech expanded universe media. Most notably, he was one of the protagonists of The Malcontent Uprisings, the first Robotech comic to be an entirely original story and not an adaptation. Since them he's made appearances in a lot of other pieces of Robotech secondary media. And to add to it, his son, Jonny Wolfe Jr was in one of the early drafts of what eventually became Shadow Chronicles(2).
The second is Dusty Ayres. He's a pretty cool character being a post-apocalyptic motorcycle-riding cowboy looking to avenge himself against those that left him for dead. What makes him stand out is his unique twist; Dusty was captured by the Invid(3) who replaced the right side of his body with cybernetic parts.
While Dusty's never received more development as a character, the concept has been expanded upon. The idea of the Invid experimenting on humans has reappeared in other sources, across comics, novels and even roleplaying games(4). It remains a present idea in the fiction, well out of proportion to its actual represnetation.
(1) The spelling of his name has changed numerous times, but "Wolfe" seems to be the generally accepted modern version.
(2) which reminds me of a Hobbydrama piece I totally will write one day
(3) Mysterious bug aliens who are experimenting with their own evolutionary processes
(4) To the point where Palladium made several stupidly overpowered and mechanically broken character classes around the concept
Does this count? Gene Parmesan from Arrested Development. I always remembered him as being a kind of recurring character, but he's in ONE episode of the original show. He's in I think 5 or 7 episodes of the two revival seasons so they expanded his importance obviously.
Also for the Oz books, Glinda too! Isn't she only in the last chapter? Her importance got beefed up so much that a lot of people don't even know there are four witches because Glinda stole the other one's role (which makes Glinda come off as even more of a bitch in the MGM movie - why didn't she just tell Dorothy how to go home right away?)
Glinda shows up more in the sequels, but she is only in like one or two chapters at the end of the first book.
Gene Parmesan is in every episode. His disguises are just that good.
Hank Scorpio appeared in one episode of The Simpsons but you would never guess it from how much love he gets. I mean it was one hell of an episode to be fair (one of my favourites) but it was also 27 years ago. His legend lives on though.
HANK: Say, Homer, which country do you hate more, Italy or France?
HOMER: Uhh... France?
HANK: Nobody ever says Italy.
And what's additionally funny is that the overarching joke about him actually being a supervillain is entirely irrelevant to the A-plot of the episode, which is about the contrast between Homer loving his new job and his family being miserable in their new home.
Hank Scorpio was actually the main villain in the earliest versions of the Simpsons Movie script. They ultimately changed him to movie original character Russ Cargill, but still had Albert Brooks voice him.
Iirc they decided against making him the villain because it wouldn't feel right having him trying to actively harm Homer and his family.
"Here's some sugar, sorry it's not in packages. Want some cream?"
"Ehhh... no."
"Here's some sugar, sorry it's not in packages. Want some cream?"
"Ehhh... no."
He was a good boss to Homer. A villain, but a good boss. :)
Hey, the best evil minions are the ones who are happy and taken care of!
Your are right!!!!
In Pokemon Black & White, there's a Battle Subway where you can challenge a string of NPCs for points. Once you reach a certain streak, your next battle with be with one of the Subway Bosses, Ingo and Emmet. Despite being minor characters most players won't even encounter in their playthrough, the two were very popular in Japan, and 12 years later Ingo appears as a Warden in Legends Arceus, where he plays a much bigger role
The quintessential example for me is Kaworu from Neon Genesis Evangelion. He does have more of a presence in the Rebuild movies but in the show he's literally in a single episode. You could definitely come to the conclusion that he's like the 4th main teen in the show from merch and such though.
I remember doing my first watch of Eva and kept thinking "is this the episode he finally appears in?". Tbf, it makes it even more powerful how impactful he is to Shinji for such a relatively short appearance.
This happened to me. I was so confused when his appearance was so brief.
Considering how much fanart she gets, I was shocked that Bridget appears in only two Guilty Gear games, with one of her appearances being DLC-exclusive.
To be totally fair, "two games" is kind of not telling the whole story here.
The first game she was in, Guilty Gear XX, was the most popular game in the series by a wide margin for a very long time, and spent about a full decade getting new revisions coming out. XX is... pretty much where most people assume Guilty Gear starts, because nobody plays the original PS1 game and X is basically just seen as "worse XX" outside of its OST. If you played a GG before it went 3D, you probably played XX.
The other game is... the currently supported newest one. She missed a grand total of one game in between and will likely be a fixture of the series going forward.
Never discount the power of femboy thirst (before she came out, of course). Astolfo started out in a Fate AU light novel series nobody ever read, to name another.
Oh great, you're gonna start the discourse
Reinhardt is a villain in Fire Emblem Thracia 776 (as far as I know, Jugdral is the one continent I have not personally interacted much with except in Fire Emblem heroes) that appears in a few chapters and then dies or is captured by the player. I'm summarizing his role in 776 as I type this.
Enter Fire Emblem Heroes, roughly 8 years ago, a gacha game that features both old and brand new for the game characters for the player to collect and fight with. Up to you how you view the state of the game. One of the early releases in heroes was, Reinhardt, and he became an international sensation due to how powerful he was and how VERY little could take a hit from him during that time. Since his release, he received three other versions which wasn't really expected for a character that placed 584 of the series' most popular characters in CYL, a yearly vote for FEH to add the 4 most popular characters (2 male and 2 female, winners are removed from the poll) to the game as Brave units, compared to series juggernauts like Lyn (CYL1 winner), Camilla (CYL 3 winner), Hector (CYL 2 winner) and others. Granted his 4th version was a more recent and the time span between the seasonal dancer alt (3rd) and rearmed (4th) was several years, he still exploded in popularity those first few years even among Thracia units, who are largely unknown to the English speaking Fire Emblem community, but its been getting attention more recently, I assume the larger community (not just reddit) still don't know much about it aside from memes and FEH.
To this day, he continues to be strangely popular due to his Heroes debut/early game power, long term reliability (due to a very low rarity thus easy to merge) and frequently featured in memes, at the least on the subreddit, which I frequent. His place in CYL has dropped down to the mid 50s due to his alts, Three Houses dominating everything even now, frustration over character rosters remaining incomplete even as we've entered Book 10 and players dropping the game/voting due to getting who they've wanted in CYL, unhappiness with the state of the game, realizing that they no longer enjoy the game anymore or what other reason that they have, but he's never dropped below even 60th since pre-FEH release.
James Moriarty was my first thought. He's not too prominent in the original Holmes novels, certainly not as much as Watson. However, there's been a more sizeable emphasis placed on him in later, different Holmes iterations.
(My personal favourite iteration is his Ruler-class character from Fate/Grand Order, although of course Archer Moriarty is a total scene chewer.)
Similarly Flat Top being recognized as Dick Tracy's most iconic villain despite only being in the strip for 6 months. Of course that doesn't mean he can't have relatives all out for vengeance even to this day.#Characters_created_because_of_Flattop)
I’m actually quite resentful of how it feels like Moriarty has become a compulsory part of any new adaptations. I much prefer Holmes stories where there’s no Big Bad pulling strings through elaborate schemes. I think adding a nemesis makes both the plots and the characters less interesting.
I do give a pass to Elementary for using Moriarty relatively briefly and with a more imaginative twist.
That's very understandable. I haven't looked at enough Moriarty-related media to know, but after a while I'd imagine the formula gets stale, too.
Same issue with Joker being pushed as Batman's nemesis tbh
Not only "not too prominent"- he literally never appears in person as Watson never meets/sees him! (With the exception of him noticing a shadowy man running after their train.) All of Moriarty's appearances are related to Watson by either Holmes or Inspector Alec Macdonald (in The Valley of Fear). This made it very easy for a play to be written, as a two hander for Jeremy Brett and Edward Hardwicke of the Granada TV show, in which Moriarty is actually Holmes.
Mycroft Holmes also only appears twice in person, though he's alluded to in two other stories, including The Final Problem, in which like Moriarty we are told he is there but don't necessarily notice him.
Maybe my memories are off, but in my recollection most Sherlock Holmes villains don't show up in person. He's an investigative detective, not an action hero, and more to the point a lot of the time he's doing the investigation without Watson there.
No, mostly they do. Sometimes they’re on the scene of the crime, usually they’re suspects, sometimes Holmes even arrests them himself with Watson there to record. It’s very rare for Watson to never see the criminal at all. Doing a quick skim, and in most stories (not counting the ones that Holmes recounts to Watson or Holmes narrates himself) Holmes and Watson do encounter the villains at least once in person (though sometimes, as circumstances happen, only after they’re dead), with exceptions being The Five Orange Pips, The Engineer’s Thumb, The Resident Patient, The Greek Interpreter, and Wisteria Lodge; in most of those the criminals get away before Holmes and Watson arrive but Holmes is still able to solve some aspect of the case in their absence. In The Beryl Coronet Holmes is the only one to meet the main criminal but they both meet the accomplice.
And in the more recent BBC version you’ve got Moriarty stealing scenes right and left even after he’s dead (not a complaint - Andrew Scott is an unhinged joy in the role).
Similarly, Irene Adler appears only in "Scandal in Bohemia" and nowhere else.
There's been some discourse in the Pokemon community pertaining to Legends ZA.
No it's not about the windows. No it's not about the new Megas. No it's not about the DLC.
It's about a character from the game that goes by Jacinthe. (Spoilers for Legends ZA below) Jacinthe is a character that shows up near the end of the game who's an upper-class member of the Society of Battle Connoisseurs. She's also a Fairy-type specialist, which is important because throughout her arc, she acts like a mythical fey. She invites you and Taunie/Urbain to a tournament hosted by her, but when you hear about new cases of Rogue Megas threatening the city, you and your friend have to leave prematurely. Jacinthe never gets angry at you or throws a tantrum, but it's clear she's spoiled rotten and can't take no for an answer. As you take out the Rogue Megas, Jacinthe uses a holographic projection of herself to pester you about coming back to the tournament. When that doesn't work, she uses a holographic barrier to trap you and your friends in a "Jacinthe Zone" so her maid Lebanne can come and personally escort you back to the tournament. At the tournament itself, it's revealed that the rest of the competitors were trapped in their own "Jacinthe Zone" and Jacinthe gave herself a bye for every round of the tournament except the last one.
There's quite a bit of discourse around how she never gets punished for her behavior, but a lot of the discourse is around Jacinthe's maid: Lebanne. She's a Dragon type specialist that lost a battle to Jacinthe two years ago and had to become her maid as a result. Although their characters might seem like an elaborate "Fairy beats Dragon" joke, a lot of people were debating "Is Lebanne Jacinthe's slave?". One side claims that, because Lebanne became her maid as the result of a lost bet, she isn't actually enslaved, and only stays with Jacinthe due to her own ego. On the other hand, Lebanne mentions several times that she's scared of what Jacinthe is capable of and, if how she treated us is anything to go by, she might not be able to leave Jacinthe.
However, this wouldn't stop the shippers, because issues of indentured servitude aside, they're both characters who are both so unhinged, it's like they were made for each other (one of the characters even has a name that sounds like someone failing to pronounce "lesbian"). There's quite a bit of fanart showing Jacinthe having Lebanne on a leash and although some more wholesome interpretations of their relationship exist, they're overwhelmingly shown as a toxic yuri couple. Additionally, since Lebanne looks kinda similar to the male punk trainer from X and Y, some fans have added a forcefem element to their dynamic.
Oh, and in the post game for ZA, there's a sidequest that, after completed, grants you the privilege of letting you battle Jacinthe whenever you want, and it's been a bit of contest among ZA players on who can battle her the most. Personally, these two characters have been the highlight of the game for me and it helps that Jacinthe's battle theme goes way harder than it has any right to
I forgot where I read about being an annoying character in a video game is worst than being a evil character in video game, but ngl most complaint about Jacinthe seems to embody this. That she is very annoyingly insistent and that bothers the player, her dynamic with Lebanne aside.
Granted, I hadn’t touched the games, so it’s mostly hearing on the periphery.
I don't think you understand. She's loved because she's basically the embodiment of how fae are deceptively evil
I mean folks complaining about her, albeit I do see folks citing her fucked-up part as close to the fair folks and that’s why they like her (Which I’d agree)
Honestly Lebanne also plays into this in that she made a bet with Jacinthe, and making a deal with a fey runs high risk of you getting fucked, and look what happened to her
As much as I feel bad for Lebanne, toxic forcefem yuri is stronger. But seriously we need a guillotine Pokemon.
The forcefem stuff makes me uncomfortable ngl
I don't think that part of it is really prevalent in the game itself. Which makes considering, y'know, it'd be really really weird for Pokemon to actually have noncon elements displayed prominently lmao
Excluding that, there's many ways to take it and some of those are likely to be more up your alley, because what Pokemon does love to do is make interpretations of any concrete lore or backstory or potential character doings in the future very very vague
I just always found it an uncomfortable kink. It basically makes the idea of femininity body horror. People can like what they like, but I find it weird when people try to refrain it as "empowering" or good trans rep.
Never heard that last bit, that's wild. I mean living out one's kink in a healthy way is good but the kink itself doesn't have to be wholesome chungus for that to be the case.... shouldn't portray it as something it's not
Tbf guillotine is already a move.
Jacine must be a drama magnet because when I saw the name I thought this was going to be a write up about the recent drama over if she's Black or Indian, and whether giving a character dark skin but "white/asian" facial features is proper Black representation.
I hate people even claiming there are "eurocentric" features. It's so incredibly racist, but that would require people to acknowledge colorism and featurism, when most already scoff at racism as a whole.
My understanding of what the fuck a "eurocentric" feature is in the context of stylized 2D art, is rudimentary enough that it reads as if they're trying to be so anti-racist it loops back around to being racist anyways, like a 14 year old on twitter or tumblr? Please correct me if that's wrong?
(and yes, I'm scared to google that)
It's a stupid way for people to gatekeep features that align with "conventional" beauty. Basically, everytime a black person is hot, they use "eurocentric" as a way to diminish their looks (i.e. "they're only hot bc they must be mixed with white"). I say this from personal experience of being essentially interrogated about my racial and ethnic lineage in a very aggressive form of negging. Sadly, sometimes from other black people.
PS: you shouldn't shun understanding of racist idealogy, especially if you're white. It's the only way to check yourself and be more aware.
That's somehow both better (it's not nitpicking racist stereotypes of specific body features or their lack thereof, which is how I interpreted it in a literal sense) and worse (it's just straight up saying black people are inferior) than I thought. I said I was uncertain to start because the former is a sort of online-special brainrot that is a lot less likely to actually be encountered in real life (to quote an earlier reply to me, "I do not make a habit of saving bad Twitter takes").
That not being the case makes it a lot more useful and insightful to learn about IMO, because, well, yeah, people can and will say that shit to your face. That sort of implying if not outright saying "this person achieving success can't not be white in some way!", I've seen in multiple other contexts before, most prominently about... the successes and failures of head coaches in the NFL.
No,no it is absolutely the first thing you said about stereotypes. I would really urge you to look into the history of colorism and featurism in the black community if you don't know it. It's kinda hard to summarize it all.
I think I may be somewhat miswording my point. The idea I had in mind was that there, uh, probably is, someone out there on the internet who is so terminally brainrotten that they believe these "black features" are necessary for accuracy. Not even related to beauty standards, they just think if you don't have those things then your portrayal is actually racist against black people because it's not accurate enough, with lots of "um akshualy" energy because internet.
Now, fitting "features" nitpicking into beauty standards... yeah. That definitely happens. Plus, colorism is entirely alive on social media. Either way, thank you for the clarifications and I will definitely look further into it. Does Wikipedia have a good starting point?
I mean, im sure it'll offer a broad and historical overview, but it's better to read/listen to stories from actual black people. r/blackladies or some video essayists or podcasters give a better view (Foreign Fridays, JD signifier, Olay and friends)
Jacinthe has a great design, theme, and was great fun for the story.
But we are in Pokémon Paris, someone needs to put that obscenely wealthy woman in a guillotine.
You know I never thought about Lebanne staying with Jacinthe because of her ego. That makes it a tad more palatable but really I just am happy to love to hate Jacinthe because of how pompous and dense she is.
The Pokemon society is very obviously intended to be like 80% of a utopia and way closer to it than any real place has ever managed, so taking the most generous interpretation on almost every issue does seem thematically appropriate
Yup!! It's not supposed to be that deep, especially when you have 11 year olds potentially running around with the most powerful beings on earth. I love that the ZA protags are seemingly older, at least late teens. That feels like a good middle ground.
Damn, I knew I should’ve put Sub Maid to Cotton Candy dom Fae lesbian forcefemme ship on my ZA bingo card.
It’s funny to hear that people have a problem with her, since my only exposure to the Pokemon fandom right now is Tumblr and the two of them seem to be extremely popular there for obvious reasons.
Whaaat? People on Tumblr love the pretty, elegant fairy lady in a big fluffy pastel outfit and her semi-feral dragon girl maid with a goofy smile? No. Inconcievable.
Jacinthe is a beautiful design with a great theme. One point of stupid drama that is reminiscent of Nessa are chuds mad she's dark skinned. Lots of coping that she "should've been white" and "fixed" edits. Luckily, sane people aren't taking the bait and continue to make amazing art of her.
To be fair, there were also a few "finally Pokemon got their head out of their ass and made a black character" posts, which were uhh... very soundly rejected since skin color diversity is (mostly) one problem Pokemon has never had.
Out of sheer morbid curiosity, would you happen to have any links?
No, I do not make a habit of saving bad Twitter takes.
Very fair lol
Brock was replaced with Tracey for this very reason. A decision Pokémon thankfully reversed.
I love their variety with brown and black characters. Gen 5 is when it started to pop off. Interestingly, It's the only fandom I know where a leading MM pairing had two black characters (Raihan and Leon was/is stupid popular).
Update to a post from last month about leaks suggesting Disney was in the process of remastering the release versions of the original Star Wars trilogy: the first movie has been announced for a screening in 2027, in time for the 50th anniversary.
No word on ESB or ROTJ or a home release, but I'll assume they'll come in time.
My previous reply to your comment was a joke but it does occur to me that, given how riven with strife the Star Wars fandom is over literally everything else, I don't think I have ever come across anyone who's any kind of hardcore purist of in favour of whatever the most recent updated version is.
I mean, there are plenty of people who don't really care but I've never met anybody who insists that Greedo has to say "maclunkey" and if you like any earlier version better you're betraying George's Vision.
Now, I realise that for loads and loads of fans, especially younger fans, the ones that came out on Blu-Ray 10-15 years ago or the ones on Disney+ are the only versions they have seen. But that isn't what I mean; I am talking about people who do know every version, but insist the only "right" ones are the last ones Lucas went back to tinker with.
I'm sure they must exist, but I have never met one.
I never actually bothered watching it but I once came across this nearly 4 hour video entitled "The Special Editions Are the Movies, Get Over It". I obviously don't know if it goes so far as to back this specific sentiment but given it's part of a series where the preceding video is entitled "The Prequels Are Better Movies Than You Deserve" and the followup is about Lucas' sequel trilogy concepts it might be getting there
Like Grandpa Simpson, I used to be with it.
When the leaks started coming out I did see people seriously saying things like "Ugh, Disney is disrespecting George Lucas by releasing the versions he doesn't want out there!"
Personally I think if George Lucas really cared about that he should've not sold them to Disney for $4 billion, but what do I know?
I guess I would question how much of it is sincere and how much it's just reflexive.
If that is a widespread sentiment and people really mean it, really honestly think Return of the Jedi absolutely must have a CGI alien version of Joe Cocker to "respect George's vision" then I think it is probably going to be the definitive, "My experience as a fan is no longer the default," moment of my life.
The stupidest saga in film preservation is finally coming to an end (well, probably, assuming this gets a home release). 100% merits a Hobby History going over the litany of controversial special edition changes and fan restorations like Harmy's Despecialized and 4K77
Though it's just a remaster, I think they should make it a priority to somehow edit the cantina scene even more.
Han shoots first, Greedo lets out an anguished "Maclunkey", then Han and Greedo (with his dying breath) fire at each other.
Greedo is the maclun-key to all of this.
"Kathleen 'Hitler' Kennedy betrays George's Vision (CGI Jabba) with remaster of original trilogy!" - YouTube (probably)
I've been following the leaks pretty closely for the last month ever since someone on Reddit posted them. I've also been looking at forums arguing back and forth whether or not the leaks were real or if it was an elaborate hoax since well the leaks looked convincing it just all sounded too good to be true. Especially with how these leaks were discovered, when someone found a Youtube channel uploading random Star Wars clips with notes of it coming of a new restoration of the original Star Wars trilogy.
It's nice to get some confirmation that this is in fact happening because if everything that has been leaked is 100% true and there is no funny business going on, they seem to be going all in on doing a proper authentic restoration of these films. No AI-nonsense or cleaning it up to a ludicrous degree like with the 2019 Disney+ remasters.
I mean, they spent 10 months remastering Rocky Horror. I can't see them doing that then half arsing Star Wars
Disney as a company is so fascinating to me. I know it's not all one guy deciding everything, but they'll meticulously remaster Rocky Horror but then someone else decides to use AI to "upscale" Roseanne into 4K (a show that was originally filmed in 1989 so there's no way to really make it 4k - the grainy tones are inherent to its existence).
Disney knows where its money comes from, although I know the star wars fandumb menace like to act like Star Wars has been a huge monetary loss over the last 15 years, I think Disney knows that taking care to remaster Star Wars is definitely giving them a chance for a big pile of money to come in.
I mean the reason they bought Fox was basically just to get the rights to A New Hope (and Futurama?), it makes sense they'd be careful with restoring it.
Tbh, with film sizes there's a good chance that the TV stuff was filmed on stuff that cant be scanned at 4k, while film uses such a big format that can scan properly.
I thought the reason they bought Fox was to get X-Men into the MCU.
The way it leaked did seem a little strange but the quality was also way too good to be fake. Definitely better than 4K77.
And yeah, it is definitely a relief that they are taking it seriously. Not necessarily surprising - I think a project like this would probably have the most qualified people jumping at the opportunity. But still.
At some point, I feel like writing about the notorious saga of Blue Reflection Sun, the mobile game that split and devastated the already small Blue Reflection fandom by introducing a male harem lead in a previously all-female magical girl series (think Kingdom Hearts, but with schoolgirls, much like Sailor Moon was Super Sentai with schoolgirls). Unsurprisingly, he was a Gary Stu who sucked all the life and competence of its female cast so they could kiss his ass. Also, because it was a mobile game, the plot never actually went anywhere before its ignoble death, but in a series with already convoluted, poorly explained lore, all it did was add more epicycles.
Still, it's more complicated than "Blue Reflection good, Sun bad," because this was always a gooner attracting series from the very beginning, but a lot of LGBT fans got won over by Second Light and its anime entry Ray mostly lacked fanservice. And unsurprisingly, for a series that takes after Kingdom Hearts so much, the lore is unnecessarily convoluted.
I mean, yeah. He has to be bland, so that the male target audience can self insert, but he has to be a protagonist and thus is responsible for doing stuff, because you no one wants to think themselves as mob character #3.
It's a really interesting feature of anime and anime-adjacent media in general that, because actual LGBT representation is scarce, LGBT fans make do with a lot of problematic media. In MLM cases, there's still a small explicitly aimed at gay men, gay comic scene, but there's virtually no WLW media explicitly aimed at lesbians. It's all either broad appealing stuff from magazines aimed at boys and girls (Sailor Moon, MariMite) or series specifically aimed at straight men (Maria Holic, Yuru Yuri famous for flipping the biggest Yuri magazine towards a male majority, ).
It's stuff like this that leads Steins;Gate Ruka to be a trans icon when the original isn't particularly explicit with their identity (the original anime more than the dub, the VN much more than either).
I do note that while actual LGBT representation is pretty scarce, the crumbs they did have was, generally, still more than what we had in western media at the time.
Tell me about it. To venture into hot take territory, part of the issue is that we don't have much of a cultural historical memory, at least in Anglophone North America, so we try to construct one out of bits and pieces of the media we see, usually allegorical things (though in the case of Blue Reflection: Second Light, the lesbian relationship is legit.) A lot of the trans communities I know are also steeped in superstition and attempts to adapt Christianity to be trans-accepting, which I have trouble relating to as an atheist.
Compare to places like India, where hijras have been a part of society for millennia and thus there's more social acceptance and a historical culture to unite people.
It's helped by the fact that, while homosexuality and transgender people have always existed, queer subjectivity and identity is something that arises under the conditions of 20th century capitalism and the shift from sexual reproduction as integral to the labour force reproduction under a predominantly rural production.
Your point is accurate (LGBTQ identity is indeed a modern construct), although I do think that u/PhantasmalRelic also hits the mark that same gender attraction and gender-transgressiveness pretty typically have some acknowledged place in many non-Western societies before colonialism, while Christian Western societies are pretty unique in that there really isn't any, especially not in positive or even neutral aspects. (Not to downplay homo/transphobia-esque bigotry in non-Western societies, of course, but colonialism sure damaged a lot of sexuality/gender constructs...)
There is a rich history of homosexuality in western europe, though. From greek and roman to celtic societies, but colonialism and it's precursors starts at home, in the advancement of feudal and early-capitalist relations of production, leading to a corresponding feudal and capitalist gender and sexual relations.
It's no wonder that the outlawing and shunning of non-heterosexual and cisgender relations comes with the attempts at social reforms and codifications in feudal asian societies, be it in Meiji Japan, or Ming (which outlawed "illicit sex" in the 16th century) then later Qing China even before western science and philosophy was imported.
A culture where the only sexual relationships produces more workers to exploit is a natural product of class society. It's enforcement abroad is a part of imperialism.
I think we are basically in agreement! And not denying Western Europe's history with gayness, but wish I could find that article I was reading a while ago about Christianity's unique repression of gender and sexuality though.
And yes, I am East Asian and know that homo/transphobia-esque bigotry existed before Western society and philosophy was imported, but they definitely solidified with their introduction. Broadly speaking, gayness/gender transgressiveness in East Asia wasn't so repressed or socially censured and a lot slid under the radar so long as one was upholding Filial Piety requirements. With Western science/norms, homosexuality/transness definitely were codified in faux-scientific terms that these were aberrations that must be strictly banned and punished across the board.
We are. Just pointing out that western culture isn't particularly unique. In fact, it's more caused by than the original instigator of the repression of gender and sexuality. Japan outlawed homosexuality the year after it allowed freedom of religion. The same emperor that prohibited christianity also prohibited homosexual relations in China.
It's easy for gender and sexual relations to not be so repressed in pre-colonial Asia, Africa and pre-colonial america, where productive relations weren't so advanced. Part of enforcing that peasants would work more (be it in feudal or semi-feudal societies or in societies undergoing industrialisation, thus needing a more productive peasantry) was to enforce their reproduction.
The attempt itself at codificating and scientifically studying human behaviour is a product of productive advancement. You don't get that much study from a majority feudal society.
Bluntly, a lot of it is because point of shipteasing female characters with each others is not to appeal to lesbians, it's to let them act sexually and be hot without "competing" with the (male) playerbase; this is also why it's never official, because that breaks the illusion they are still available to men.
the one canon blue reflection ship is between two girls lol
That's what makes this particular scuffle stand out among the usual queerbaiting accusations. The pairing is actually a sincere romance. But it's still in the context of a series that was ultimately meant for the male gaze.
I was just commenting on that. You might like this article. The short of it is that it's blurry. It's not just to keep the women available to male readers, but also to let women explore their identities away from the heterosexual expectations of society.
The male appeal is growing though. Yuri Hime has had a male majority readership since 2011, for example.
The link breaks unless you remove the last slash, for some reason.
Anyway, the ability to capture a questioning/queer female audience is definitely a factor for a lot of media, especially the stuff that's more reliant on total viewership and (relatively) less reliant on superfans/whales, but I was talking more in the context of gacha games where there is a very skewed gender ratio and (likely) a very, very skewed whale ratio and where every decision is monetization-first. Those are the places where the "believing a WLW ship will be canon is like losing chess to a dog" is very true.
"/" is an escape character but the "new" reddit interface is finicky.
And my point is that it applies more broadly too. Women are rarely the target of media. It's much more accepted that women will wade through male-aimed media to find stuff that appeals to them (see the female fanbase of popular shounen anime versus the desert of male shoujo manga fans).
Canon and non-ambiguous queer romance is also rare in mainstream anime, manga and games. How many big shounen anime you can think of with a canon homosexual couple, even in the supporting cast? It's part of why Yaoi came about.
That's.... Not really the case? Unless you're reading "media" very narrowly. (which isn't to say the stuff targeted at women is neccessarily great, but a great deal of it is produced)
Yeah, I didn't really know how to respond to that point. If you take that premise as true and that all media is just targeting dudes with subtext for women, then it makes sense to take any kind of representation, even yuri-bait for gachacels, as seriously as anything else ... but some media does target women and there are obviously different ways and audiences to target with yuri or yuri-baiting.
Not all. Just the majority, and women are more willingly to engage with male-aimed media than the opposite.
It's why games like Love and Deepspace and Love Nikki are exceptions in the gacha gaming space.
My thesis is that it's more common for women tend to find something they like in products marketed towards men than the opposite. Just look at the most played mobile games.
Military shooters make up the top 3. DBZ is the 6th most played. The first game that's specifically marketed towards women is Love Nikki-Dress UP Queen, in 35th place. The second is #37 Mr Love: Queen's Choice (Love and Deepspace's original IP). There is no third one in that list.
For the revenue, the situation is similar. Candy Crush, #2 in revenue, boasts a 64% female playerbase, but has a gender-neutral presentation, so as to not drive men away. The first game that doesn't have a male or neutral presentation is Love Nikki: Dress UP Queen, in the second table. It's outdated (Love and Deepspace should be in the second table as well), but it supports my point.
I'm not saying it doesn't exist. I'm saying that media aimed at the ~50% of women is not part of the default, but a genre. There's "gender neutral" and "female" media.
The Disney film Tangled is a famous example of it:
You have large female subsects of women who are fans of male-aimed media. The opposite doesn't tend to be true. Shows like Fruits Basket and Skip Beat, some of the most popular shoujo manga ever, have a 13-18% male fanbase while big shounen manga adaptations like Naruto and Boku no Hero Academia have a female fanbase twice that size.
Shueisha editors, despite knowing that 40-50% of their shounen magazine readership are women, still actively ignore them.
My point is that there's an entire industry of eg. Hallmark movies targeted at women. Are they any good? Gods no. But they're squarely targeted at women. Same thing with entire shelves of novels, etc. I don't think you can say that it's rare. (though you can argue it is rare within specific subsets of media)
Those are minor and pretty ridiculed by society. Same thing for media aimed at girls. Remember how much Twilight was ridiculed? The fanbase was, by amateur polls, 80-90% women. Twilight was huge but it was widely derided long before any criticism of substance went mainstream.
"Sparkly vampires are gay!"
Most of the movies on the highest grossing list are also trash, but they are a much better representative of the film industry at large. That there is a TV channel or a literary niche of trashy romance aimed at women, I don't deny. It's just a minority of an industry that will very rarely throw as much money at a female-aimed product like it does with Transformers and Marvel movies.
You have tens of boy's comics adaptations and Fast & Furious sequels on that list long before Barbie hit the theaters. Out of 50 movies, only Titanic, Inside Out 2, Frozen 1 & 2, Barbie, Beauty and the Beast, Moana 2 and Lilo & Stitch have female protagonists.
I mean there is definitely, quite a few wlw manga out there that are definitely aimed at female readers. I think its a bit dramatic for you to say that there is virtually no wlw media.
Off the top of my head, there is 'The Guy She Was Interested in Wasn't a Guy at All', 'I'm in Love with the Villainess', 'Bloom into You', 'Cheerful Amnesia' and 'Citrus'
Just noticed I forgot to address this. YagaKimi, my beloved, is published under Dengeki Daioh, a general public magazine. It also publishes Azumanga Daioh, Toradora (the manga that's still, somehow, ongoing), and The Irregular at Magic High School.
It also, interestingly, provides an example of homosexuality being treated as a passing fancy before entering the "real world" of heterosexuality, in Sayaka's backstory, where was in love with a girl who broke up with her when she "outgrew" WLW romance.
Yes, because in traditional East Asian philosophy, you need to settle, get married and have kids, and unfortunately both gay and lesbian are not counted as a real relationship.
Aimed at female readers, yes. MariMite, which I cited, is a famous example. It was published in Margaret. But the difference between Yuri and lesbianism is an old subject with blurry distinctions.
You also have to consider how women are commonly infantilized under patriarchy and yuri's appeal to straight women looking for stories about female bonds.
For an example of the former, it's a common stereotype for women's romance to be deemed as "not real" and practice for hetero marriage. You can read that by looking for "Class S" a term for manga and literature about WLW romance in gender segregated environments such as the Takarazuka Revue (explicitly established to train women for marriage) and gender segregated schools (where it has been proposed that, at one point, eight out of ten schoolgirls had Class S relationships).
For an example of the latter, there's actual research (which also goes into Class S relationships and sexuality under a modernising Japan). I'll give you a few interesting snippets to keep this comment from being a wall of text.
Yeah, this one is probably one of the Yuri manga that I feel is much more aimed at lesbians than average. Mitsuki also might be one of the veeeery few yuri manga with a butch lesbian lead (even if she's much less so than Totoko from She Loves to Cook, and She Loves to Eat.
It's one of the few more explicitly lesbian manga, but it bears mentioning that the magazine it's on has a male majority. Same goes for Citrus.
That one's straight up from a Seinen magazine (aimed at men ages 20 and up). Same goes for K-On, which might just be Yuri adjacent, but there is a big overlap between the male Cute Girls Doing Cute Things (of which K-On, largely thanks to the anime, is the most popular with women) and male yuri fanbase.
Well, I for one think that just because its in Seinen or Shonen manga, it does not mean it does not have a huge female presence. As Shonen jump is hugely popular with female audience, same with Weekly Young Jump. Obviously its mostly targeted at men in general, but the female readers are very very noticeable, especially if you are on Japanese twitter or went to Comike.
To this extent, I would say that How Do We Relationship? is the yuri manga that is the most aimed at lesbians that I am aware of. However, I am an unreliable source. I checked Wikipedia to see what it said, and it seems there was a minor editor scuffle between if it should be labeled as a Shonen or Shojo manga (I'm pretty sure the tag was Josei at one point) that ended with the demographic tag being removed entirely from the entry.
These tags tend to be a little silly because they're heavily based on which demographic the magazine they're printed is aimed at, with plenty of shounem magazines either having (like WSJ) or being explicitly aimed at a wide public (like Monthly Action, which publishes Gengoroh Tagame, female-aimed drama and Dragon maid).
It's further complicated by online publications. Just think of how Chainsaw Man, One Piece and Tokyo Ghoul, all printed in different magazines, the latter in a Seinen one, are all on Manga+.
In How Do We Relationship's case, it's published on MangaOne (Shōnen Jump+'s biggest competitor). Most of the manga there are aimed at young men, so you could make the case that it's a Seinen too, lol.
Interesting. To me it seemed about the opposite of what teenage boys like to read, but I guess it went for 133 chapters for a reason.
I think the demographic tag was removed from the Green Yuri's wiki page, too.
The magazine demographics has never quite lined up to anything, especially for more "general audience" stuff. It's not quite fair to say it's just a legacy thing at this point, but there's definitely the case that you can find exceptions to a lot of cases, and as mentioned streaming and webcomics makes the entire thing even less of a thing.
It doesn't need to be. Online publication is much wider than any print magazine. They could start publishing Margaret (a Shueisha shoujo mag) series in there without sacrificing space like a physical magazine. It's why I pointed out how Mangaplus has a wide catalogue (even if editors will always favor male readers).
It's best to not catalogue series like it.
Edit: Here's a list of MangaOne manga published alongside How Do We Relationship?
Edit2:
Yeah. It's on Pixiv, IIRC. Anyone can publish anything there.
When you don't need to curate pages on the magazine, there's more freedom for different publics and genres.
Cheers, my niche is also yuri manga/lesbianism in Japanese media and also frequently cite these articles, lol
Another aspect here is that lesbian/bi/WLW media actually made by and for LGBTQ women just aren't translated that often for Westerners. They do exist (everybody read "Rica 'tte Kanji!?" I am begging), but if they're underground in Japan, there's so little chance of it getting even tangential recognition in the West. ("My Lesbian Experience with Loneliness" being the exception though.)
But while manga/anime can be complicated in terms of representation, Japanese lesbian subcultures do thrive elsewhere. Takazuka Revue is gay as fuck, and women loved the gender play and Butch actresses in them so much!)
I'll try to read the article later but it's worth mentioning that the Takarazuka Revue is established in Taicho era by the Hankyu Corporation as not just a novelty since the 17th century banning of women from theather, but also as a means of employing women under segregation from men while learning to become "good wives and wise mothers" (including the Otokoyaku).
Takarazuka's popularity with women, and the appeal of yuri and Class S manga with women is part of the same phenomena: The creation of a sequesterd space where upon women can escape social expectations and establish their own culture for a limited period of time.
I recommend this podcast. They also touch a bit on the rest of the relation of the entertainment and sports industry in Japan with it's industrialization (look up Japanese sports teams and check out how many are named after the corporations that founded them).
Yeah, the article does mention all of that, but I think Tarazuka Revue had genuine influences in lesbian subcultures and meaningful representation for a lot of lesbians/WLW. Of course, the Revue can't be separated from RealPolitik, but I do find it interesting how both straight women and lesbians/WLW do create these genuine moments of enjoyment and positive sexuality under repressive conditions.
Also, I love that podcast, although I haven't gotten to that specific episode yet. Thanks for reminding me to check that one out.
Yeah, we take what we can get, even if it's carving out representation in Edo-era sexist norms.
It's also what I said about Steins;Gate and trans women way back in the beginning. A VN partially modelled after dating sims aimed at men and a character rooted in the idea of transgender women as "gay men, but more feminine" created a trans icon. Not because it was particularly adequate representation, but because the rest of it's cultural environment lacks better ones.
In cultures scarce in queer text, we reinterpret things and learn to become friends of Dorothy.
There's an interesting group of distinctions too, eg. something being popular with women doesen't neccessarily mean queer women, even if the content is queer, etc. And being aimed at a specific demographic doesen't neccessarily mean that's the demographic that ends up reading it.
Just in general, there's just an inherent demographic bias going on: Anything of mainstream note is most likely going to primarily have a straight audience, just because of how the demographics shake out. Anything that is read primarily by gay/lesbian audiences is by neccessity going to be fairly obscure.
(the same goes for LGBT novels in the west too, if it's got mainstream success, chances are the audience is going to be majority straight, even if it is aimed at a LGBT audience)
I know, and, if anything, it's good for cis and straight people to have minorities in their media. My original point, though, is that unambiguous lesbian, gay and transgender representation is rare in mainstream anime and manga.
Plenty of Weekly Shounen Jump have fujoshi fanbases, but explicitly gay characters are a rarity in their manga. Same goes for lesbians. It's common to have skinship and teasing, but rarely get characters that are unambiguously unavailable to men. And the less said about "traps" the better.
This kinda leads to the whole Cute Girls Doing Cute Things Genre. Cute girls, no boys in sight, nary an explicit statement of homosexuality, even if the girls are frequently sexualised for seinen readership. Best example I have in hand is the difference in K-On between the Kakifly manga and Naoko Yamada anime.
I think they meant that, while MLM has Bara, a genre specifically made BY gay men for gay men, there is no such equivalent for WLW.
I am pretty sure a majority of Japanese WLW is written by women, but most likely not gay women.
It's so frustrating. There's really not much going when it comes to WLW made for women instead of for the consumption of straight men, and the difference is very overt. There's a few, yeah, but not that much in the first place, and even less if you don't understand Japanese.
I think your view is skewed bc you likely only consume what gets scanlations
I don't know about that. I also keep aware of things that haven't been scanlated.
There is, if you are going to watch other Japanese media, like TV shows and movies. Sure its definitely less then hetero, but on par with gay media (like actually explicitly gay media).
Which is also not super accessible, unfortunately. Not much of it gets officially translated, and they killed off some of the best sites to see it fan translated.
Yeah, unlike kdrama, Japanese company are super likely to dmca your content, which is a shame.
Yup. See the almost complete abscence of butch lesbians in anime and manga.
I used to read/watch harem series when I was younger and try to pretend the bland male MCs didn't exist. It's amazing how often people claim cardboard MCs are for self inserting, but they take me out because they usually have no agency or goals, not to mention you can never understand why all the girls are even into him. Also...I preferred shipping the girls with each other...
What really tickles my funny bone is that they could have removed the MC and made the story into a fluff piece that's there to sell you titties and coasted along comfortably at least for a year or two.Though rarer in gacha nowadays,they could have it both ways with the girls having queerbait moments in the main storyline and ML content being exclusive to bond stories. Love Live did it,for example.
Magical girl gachas still have a place in the market,both niche ecchi franchises(Yuki Yuuna is a Hero) and succesful yuri series(Madoka Magica) hag games that lasted years.Also Symphogear too I guess. No idea why that one lasted so long
Love Live School Idol Festival was interesting because at first, it did start off pretty fanservicey and with self-insert bond stories, but over time, they started releasing pair cards that were more about the girls' relationships with each other. I don't know all the details, but over time, the franchise shifted to a more general audience appeal since a lot of female fans were into it, though supplementary material like the magazines were still obviously male otaku targeted.
Love Live Superstar's first season starring a shy, anxious girly girl who learns to stand on her own two feet and realize she's actually way braver, smarter, and more talented than she gives herself credit for, and her best friend being a girl who pushed herself to be an expert dancer because she didn't want to be a damsel in distress that needed to be rescued from bullies, these were the arcs that I never expected from a franchise like this. Normally, such characters would stay vulnerable for the sake of the male audience.
Idol series honestly tend to be appealing to all demographics. When I've been to Idolm@ster lives, you see women dressed up in street fashion, elderly men and women, businessmen, and the stereotypical male Otaku. And even when songs of the male branch pop up, the crowd doesn't miss a beat in chanting and changing to the proper light color. Maybe that's more specific to the franchise though.
It's depressing that the only place in gaming for magical girls, a genre that used to be aimed at women, is as fanservice for male players. There's no consideration for adult female fans at all.
I kinda feel Magical Girls has mostly been aimed at either actual girl children or teenage/adult men. It's pretty darn rare to see a series aimed at grown up women and always has been. (there's a couple of manga in that direction, and some of the more nostalgia-themed spinoffs of older children's series, but that's basically it?)
You're right, i guess i should have said females rather than women. Adult magical girl stuff being aimed at men only is a genre-wide problem. I just wish that wasn't the automatic direction that a game could possibly go.
There's been a pretty wild development in the most recent episode of the anime Pokemon Horizons. Let me know if additional context is required.
This incarnation of the anime features two protagonists, Liko and Roy, who independently join (well, they're hired as Liko's bodyguards initially, but she then joins them for real) a group of travelling trainers called the Rising Volt Tacklers. Their leader is Captain Pikachu (known as Cap), whose trainer, Pokemon Professor Friede, is second in command. They travel around on an airship named the Brave Olivine. Friede is a very popular character in the series.
The following context contains spoilers for everything from episode 89 onward (the series is currently on episode 120). In the UK, the English dub is up to episode 100, while in the US, it's only up to 89, with the rest of the remaining episodes (90-100) due to release at the start of January on Netflix.
Everything after 89 is MAJOR SPOILERS for non-dub watchers in the US and after 100 elsewhere in the English-speaking world. To make things easier to follow for people not familiar with Horizons, I'll be using dub names.
At the end of episode 89, the Rising Volt Tacklers (RVTs) manage to escape from a major battle with the antagonistic organisation of the series, the Explorers. In the process, however, they get separated from Friede as he falls out of the Brave Olivine and tells Cap to look after the others.
There's a year-long timeskip between episode 89 and 90-91 (which are a two-part special). After losing Friede, the RVTs disband and go their separate ways (Roy studied Mega Evolution and met Ult, a new character and friend, Liko went back to school, etc). Roy, having trained essentially alone (he... tolerates Ult, shall we say) for a year, gets Liko and their other friend Dot back together in order to find information about a new type of Laquium, which is a magical substance/energy in the form of crystals that was causing major problems previously. They thought they'd eliminated the Laquium, but it started showing up again, and the three decide that they want to look into it, as it seems to be much more dangerous and unstable.
The adults of the RVTs are less eager to take to the skies again, but that changes when they get a surprise message in their group chat that's encrypted. It turns out to be from Friede. The message is choppy and hard to hear, but he says he and his Charizard are fine. With this, the adults realise they need to keep moving forward and agree to work with Liko, Roy and Dot again. The RVTs are back in business!
Fast forward to the most recent episode, episode 120. While Dot is pouring over some data she and her friend Penny (who is indeed Penny from the games Scarlet & Violet) obtained about the Laquium, which turns out to be manufactured/synthesised by the Explorers for profit (it turns Pokemon super powerful but they lose control of themselves and seem to be in a lot of pain under its influence), she gets a call... from Friede.
We then learn where Friede has been for this entire year, and it's somewhere nobody predicted: Space. In a spaceship.
Now, why did he go to space? Presumably to study the origin of the Laquium, as another character (Lucius) said he thought it was most likely not originally from Earth; and also possibly to hide from being monitored/chased by the Explorers.
Next episode is a reunion with Friede, featuring the RVTs having to rescue him as he starts having problems with his spaceship after re-entering the Earth's orbit.
From what I've seen, fan reaction has mostly been a resounding "what the fuck kind of development is this", in both good and bad ways. Personally, I love it, it's so far out there that it circles around to being funny.
To escape Capitalism?
That was the joke I was gonna make, dammit!
First: Huh??
Second: This has always bothered me, Liko does not sound like a name. Riko and Loy would've made more sense to me. And apparently Loy IS a name?!
"Liko" makes sense to me. "Li" is a common mainland East Asian name and (IIRC) "ko" means "daughter", so "Liko" would just be "daughter of Li" rather than anything that unusual.
side note: are the UK and US versions different or is Netflix just... randomly 11 episodes behind?
It is airing on CBBC and iPlayer in the UK (BBC is getting into anime here, having bought all of One Piece for example). That is why we are ahead here.
Ngl that really doesn’t sound that far fetched for pokemon, maybe I’m missing some context but I don’t understand why people would react so strongly to this.
Yeah, the Ruby/Sapphire remakes famously had its epilogue be the culmination of decades of playground rumors about the Mossdeep Space Shuttle and Deoxys. This isn't that out of left field.
Don't you mean.... Farfetch'd
I don't follow the anime, but that seems pretty cute and not too out of line with something like the Delta chapter of ORAS- which, I understand a lot of people didn't like, but still. The series isn't without its flights of fantastical.